My
new dark romantic fantasy/urban fantasy Straw Song is finally available! At last, the brainy but insecure Scarecrow and brash but empathetic
witch Theo can invade others’ headspace the way they have mine for a year. On this
Monday the 13th , I’m contemplating my enjoyment of the darker side
of Oz.
The original book The Wonderful Wizard of Oz by L. Frank Baum was intended as light entertainment for children, according to Baum’s forward to the book, yet it contains some gruesome scenes. Nick Chopper, the Tin Woodman, relates to Dorothy (who is supposed to be a young child in the story) how his cursed axe lopped off his arms and legs and head, so he had tin replacements made by a skilled smith. Even in an enchanted land like Oz, that had to hurt and be bloody as hell. Later in the book, horrible tiger-bear monsters called kalidahs attack the party and are stopped only by chopping down a log bridge which sends them tumbling into a crevasse to their implied deaths.
Scarecrow's first murder. |
illustration by Skottie Young, The Wizard of Oz (Eric Shanower's adaptation from L. Frank Baum, Marvel Comics) |
Me? I’m all for it. I love monsters, I enjoy a bit of body horror, as any reader of mine will know. Hell, even in my lighter romantic fantasy Straw Man, protagonist Jack experiences quite a bit of body horror as Cassie’s spell takes unexpected effect on him. I love transformation, as evidenced in horror comedy Wendigogo . In Straw Song I have body horror with Scarecrow, although its impact is diminished some by the fact that in his original state he can’t feel pain even when ripped apart, as well as Ozian monsters and some truly evil characters causing all manner of casual horror. Why? Well, for one, because I enjoy it, and also because Oz DOES have a darker side which some fans love even more than the sweetness and light of the MGM musical.
Case in point: the 1985 film Return to Oz. It hasn’t become a cult classic despite the creepier elements but because of them. Dorothy is threatened with electroshock therapy to cure her of her delusions about Oz (a truly scary part of the film, moreso if, like me, you ever dreaded being sent to a mental hospital or, gods forbid, did end up in one). When she finally lands in Oz, she encounters the Wheelers, amazingly and frighteningly portrayed by actors on actual wheels in grotesque masks. Every fan I’ve encountered who saw this film as a kid was legit scared of the Wheelers.
Gimme some sugar! |
So, given all this existing (and fully canon!) horror in Oz, I have zero problems writing it. Though Straw Song is definitely a weird love story at its heart, the characters have plenty of awful things to deal with. Though Scarecrow and his friend Nick Chopper can’t be killed by normal means, creative evil witches can certainly come up with ways to torture them to elicit their compliance. Having a friend who can survive being beheaded doesn’t make seeing it any easier for a mortal. And monsters well known in Oz are guaranteed to be scarier once they invade our world.
Of course, even stronger than monsters or malicious magic is the horror of seeing a character you’ve come to love in serious danger, and I hope I’ve accomplished that in this book. You don’t need to be an Oz fan to enjoy it, either. If you like urban fantasy with romance, or romantic fantasy with a dark ambiance, dive in! Scarecrow promises you won’t regret it.
Straw
Song
by K.A. Silva available for purchase in ebook or print from amazon.
Signed
copies available exclusively through Graythorn Publishing!